Just like the face of Medusa in Greek mythology, a piece of jewellery attracts and troubles the person who designs it, looks at it or wears it. While it is one of the most ancient and universal forms of human expression, jewellery has an ambiguous status, mid-way between fashion and sculpture, and is rarely considered to be a work of art. Indeed, it is often perceived as too close to the body, too feminine, precious, ornamental or primitive. But it is thanks to avant-garde artists and contemporary designers that it has been reinvented, transformed and detached from its own traditions.
In the wake of the museum’s series of joint and cross-disciplinary exhibitions, such as “L’Hiver de l’Amour”, “Playback” and “Decorum”, MEDUSA questions the traditional art boundaries by reconsidering, with the complicity of artists, the questions of craftsmanship, decoration, fashion and pop culture.
The exhibition brings together over 400 pieces of jewellery: created by artists (Anni Albers, Man Ray, Meret Oppenheim, Alexander Calder, Salvador Dali, Louise Bourgeois, Lucio Fontana, Niki de Saint Phalle, Fabrice Gygi, Thomas Hirschhorn, Danny McDonald, Sylvie Auvray…), avant-garde jewellery makers and designers (René Lalique, Suzanne Belperron, Line Vautrin, Art Smith, Tony Duquette, Bless, Nervous System…), contemporary jewellery makers (Gijs Bakker, Otto Künzli, Karl Fritsch, Dorothea Prühl, Seulgi Kwon, Sophie Hanagarth…) and also high end jewelers (Cartier, Van Cleef & Arpels, Victoire de Castellane, Buccellati…), as well as anonymous, more ancient or non-Western pieces (including prehistorical and medieval works, punk and rappers’ jewellery as well as costume jewellery etc.).
These pieces, well-known, little-known, unique, familiar, handmade, massproduced, or computer made, mix some refined, hand-wrought, amateur and even futuristic aesthetics which are rarely associated together. They sometimes go far beyond simple jewellery and explore other means of engaging with, and putting on, jewellery.
The exhibition is organized around four themes with a specific display for each: Identity, Value, Body and Instruments. Each section starts from the often negative preconceptions surrounding jewellery in order to better deconstruct them, and finally reveal jewellery’s underlying subversive and performative potential.
Fifteen works and installations by contemporary artists (Mike Kelley, Leonor Antunes, Jean-Marie Appriou, Atelier EB, Liz Craft…) dot the exhibition, echoing the themes of its various sections. The works presented question related issues of decoration and ornament, and anchor our connection to jewellery within a broadened relationship to the body and the world.
Curator: Anne Dressen
In collaboration with Michèle Heuzé and Benjamin Lignel, scientific advisors
Jewellery in the eye of Victoire de Castellane
Reproduction d’une œuvre de Salvador Dali par Henryk Kaston Ruby Lips, années 1970-80
Broche, Or 18 carats, rubis, perles de culture
Miami, collection particulière
Photographie d'Evelyn Hofer (1922-2009), Anjelica Huston wearing The Jealous Husband (réalisé par Alexander Calder vers 1940)
Meret Oppenheim (1913-1985), Bracelet, 1935, Paris
fourrure et métal
Collier Serpent, Cartier Paris, commande de 1968
platine, or blanc et or jaune, 2 473 diamants taille brillant et baguette pour un poids total de 178,21 carats, eux émeraudes de forme poire (yeux), émail vert, rouge et noir
Karl Fritsch, Bague, 2006
argent oxydé et pierres fines
Collection Ville de Cagnes-sur-Mer
Danny McDonald (Mended Veil),Bitten Crystal Necklace, 2005
argile polymère, strass, verre, chaîne dorée
Vivienne Westwood Crown
White and gold metal, velvet, faux crystals, plastic based pearls and faux ermine fur.
From the Vivienne Westwood Autumn-Winter 2000/01 Gold Label runway show – Winter. From the Vivienne Westwood Autumn-Winter 2000/01 Gold Label runway show – Winter.
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